When the boogeyman goes to sleep at night, he checks his closet for Chuck Norris.

Y12 Semester 1 - Film Art

Film Art is our Topic for Semester 1.

Semester 1 delves deeply into the concept of "Film Art". Here's a breakdown:

Tim Burton Study: This section is focused on exploring the unique filmmaking style of Tim Burton. It includes an in-depth study of how Burton communicates through his films, examining his narrative techniques, codes and conventions, and how he represents themes and characters. Additionally, it looks into how Burton's films are received by audiences and their place within the film industry. Students are likely to analyze sample essays and case studies to understand Burton's impact on contemporary cinema and his distinctive style.

Auteur Theory: In this part of the curriculum, students explore the Auteur Theory, which suggests that a director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). Students will engage in auteur research, which involves studying various directors who are considered auteurs and understanding how their personal style and thematic preoccupations are reflected in their films.

Art Film and Film Movements: This segment covers different film movements and the characteristics of art films as opposed to mainstream Hollywood films. It includes studies on Realism, German Expressionism, Film Noir and Neo-Noir, among others. The curriculum aims to provide students with a comprehensive understanding of the historical and cultural contexts of these movements and their influence on modern cinema. Students learn to differentiate between art films and commercial cinema, exploring topics such as Independent vs. Commercial Cinema and Art Films vs. Hollywood Films.

Academic Writing and Critical Thinking in Film Studies: This area focuses on developing students' academic writing skills and their ability to think critically about films. It covers how to construct well-argued analyses and critiques of films, incorporating theoretical concepts and specific examples from the films studied. This is crucial for understanding film not just as entertainment, but as an art form and a medium of communication.

Throughout the semester, students are encouraged to engage with various production tips and theoretical knowledge segments such as Gestalt Theory, shooting tips, and discussions on commercialisation in media. This comprehensive approach aims to equip students with both practical skills and a deep theoretical understanding of film as a significant cultural product.

For a detailed understanding, students are encouraged to explore each of these segments thoroughly as part of their study program. This will help in developing a nuanced understanding of film arts, both in theory and in practice.

Follow the links below to find information and exemplar essays which use Tim Burton and his films as main references.

System of communication

• artistic and cultural benefits of media work

• auteur figures, personal expression and aesthetics

Narrative, codes and conventions

• manipulation of narrative elements and narrative structures

• media aesthetics and the construction of themes

• use of techniques, codes and conventions to challenge expectations

Representation

• how representations are constructed in media work

• media as a vehicle to challenge representations

Audience